Scholarship
Jane Donahue Eberwein, "Dickinson, Emily," American National Biography Online, February 2000, http://www.anb.org/articles/16/16-00453.html.
Although interest in one or more lovers continues, as does attention to the poet's religious quest and to her quiet subversion of gender assumptions, Emily Dickinson's poems steadily gain recognition as works of art, both individually and collectively, especially when read in her original fascicle groupings, which establish not just her unquestionable brilliance but her frequently underestimated artistic control. The regard Dickinson has won in the little more than a century since her poems introduced her to the world has established her as the most widely recognized woman poet to write in the English language and as an inspiration, both personally and in terms of craft, to modern women writers. As a voice of New England's Protestant and Transcendental cultures in fruitful tension and of the spiritual anxieties unleashed by the Civil War (during which she wrote the great majority of her poems) and as an avatar of poetic modernism, Emily Dickinson now stands with Walt Whitman as one of America's two preeminent poets of the nineteenth century and perhaps of our whole literary tradition.
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