Confederate naval raiders destroying the Coast Guard cutter Caleb Cushing, artist's impression, detail

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
The revenue cutter "Caleb Cushing" blown up by Reed and the other pirates who has seized her
Source citation
Harper's Weekly Magazine, July 11, 1863, p. 441.
Source note
Cropped from the larger image, also available at http://hd.housedivided.dickinson.edu/node/40614

Confederate naval raiders destroying the Coast Guard cutter Caleb Cushing, artist's impression, zoomable image

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
The revenue cutter "Caleb Cushing" blown up by Reed and the other pirates who has seized her
Source citation
Harper's Weekly Magazine, July 11, 1863, p. 441.

The Confederate naval raider Tacony attacking New England fishing fleet, artist's impression, detail

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
The pirate "Tacony" burning merchant vessels and fishing craft
Source citation
Harper's Weekly Magazine, July 11, 1863, p. 441.
Source note
Cropped from the larger image, available at  http://hd.housedivided.dickinson.edu/node/40612

The Confederate naval raider Tacony attacking New England fishing fleet, artist's impression, zoomable image

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
The pirate "Tacony" burning merchant vessels and fishing craft
Source citation
Harper's Weekly Magazine, July 11, 1863, p. 441.

Recovering the Union casualties of failed June 14, 1863 assault on Port Hudson, Louisiana, artist's impression, detail

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
Scene of General Paine's assault on Port Hudson, on June 14, 1863 - Carrying off our dead and wounded under a flag of truce -
Source citation
Harper's Weekly Magazine, July 18, 1863, p. 452.
Source note
Cropped from the larger image, available at http://hd.housedivided.dickinson.edu/node/40608

Recovering the Union casualties of failed June 14, 1863 assault on Port Hudson, Louisiana, artist's impression, zoomable image

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Cropped, sized, and prepared for use by John Osborne, Dickinson College, June 20, 2013
Image type
engraving
Use in Day View?
No
Permission to use?
Public
Original caption
Scene of General Paine's assault on Port Hudson, on June 14, 1863 - Carrying off our dead and wounded under a flag of truce -
Source citation
Harper's Weekly Magazine, July 18, 1863, p. 452.

"Tattoo in Camp," Edwin Forbes, copper plate etching, 1876, detail

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Sized, cropped, and adjusted for use here by John Osborne, Dickinson College, July 19, 2013.
Image type
engraving
Use in Day View?
No
Permission to use?
Yes
Original caption
Tattoo in Camp. A moonlight scene. The regimental drum-corps is beating "tattoo," the signal for the men to retire to their tents. "Taps," the signal for "lights out," follows half and hour later.
Source citation
Edwin Forbes, Life Studies of the Great Army, A Historical Work of Art in Copper-Plate Etching ...(New York: Edwin Forbes, 1876), plate 1.
Source note
Cropped from the larger image, available at http://hd.housedivided.dickinson.edu/node/40608
Privately published. The complete set of forty plates sold for $50.00 in 1876. 

"Tattoo in Camp," Edwin Forbes, copper plate etching, 1876, zoomable image

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Sized, cropped, and adjusted for use here by John Osborne, Dickinson College, July 19, 2013.
Image type
engraving
Use in Day View?
No
Permission to use?
Yes
Original caption
Tattoo in Camp. A moonlight scene. The regimental drum-corps is beating "tattoo," the signal for the men to retire to their tents. "Taps," the signal for "lights out," follows half and hour later.
Source citation
Edwin Forbes, Life Studies of the Great Army, A Historical Work of Art in Copper-Plate Etching ...(New York: Edwin Forbes, 1876), plate 1.
Source note
Privately published. The complete set of forty plates sold for $50.00 in 1876. 

"The Reveille on the Line of Battle," Edwin Forbes, copper plate etching, 1876, detail

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Sized, cropped, and adjusted for use here by John Osborne, Dickinson College, July 19, 2013.
Image type
engraving
Use in Day View?
No
Permission to use?
Yes
Original caption
The Reveille on the Line of Battle. Representing the line of battle at daylight. The regimental bugler stands on the crest of the hill, playing reveille to arouse the troops, who are lying on the ground wrapped in their blankets. In the middle distance a battery is seen in position with "caissons" and "limbers" to the rear.
Source citation
Edwin Forbes, Life Studies of the Great Army, A Historical Work of Art in Copper-Plate Etching ...(New York: Edwin Forbes, 1876), plate 1.
Source note
Cropped the larger image, available at http://hd.housedivided.dickinson.edu/node/40606
Privately published. The complete set of forty plates sold for $50.00 in 1876. 

"The Reveille on the Line of Battle," Edwin Forbes, copper plate etching, 1876, zoomable image

Scanned by
Joseph Williams, Archives and Special Collections, Dickinson College
Scan date
Notes
Sized, cropped, and adjusted for use here by John Osborne, Dickinson College, July 19, 2013.
Image type
engraving
Use in Day View?
No
Permission to use?
Yes
Original caption
The Reveille on the Line of Battle. Representing the line of battle at daylight. The regimental bugler stands on the crest of the hill, playing reveille to arouse the troops, who are lying on the ground wrapped in their blankets. In the middle distance a battery is seen in position with "caissons" and "limbers" to the rear.
Source citation
Edwin Forbes, Life Studies of the Great Army, A Historical Work of Art in Copper-Plate Etching ...(New York: Edwin Forbes, 1876), plate 1.
Source note
Privately published. The complete set of forty plates sold for $50.00 in 1876. 
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