Patriotic Treason: John Brown and the Soul of America

Citation:
Evan Carton, Patriotic Treason: John Brown and the Soul of America (New York: Free Press, 2006), 274-275.
Body Summary:
Full of his success and renewed notoriety, Brown expected a hero's welcome in the town of Tabor, where he had recuperated after his Kansas campaigns in the summer of 1856. But the town's residents, though solidly antislavery, were repelled by the violent circumstances of this particular slave rescue and by the lawless appropriation of property that had accompanied the relief of oppressed people. When Brown strode into the church of his friend Reverend John Todd on the Sunday after his arrival and requested that the minister offer a public thanksgiving for God's preservation of the fugitives and their liberators, the gesture seemed to many of Todd's parishioners more imperious than pious. Brown's petition was deferred until a meeting could be held to discuss it. The result was not a public thanksgiving but a public rebuke: "While we sympathize with the oppressed, and will do all that we conscientiously can to help them in their efforts for freedom, the people of Tabor formally resolved, "we have no sympathy with those who go to slave states, to entice away slaves, and take property or life when necessary to attain that end."

The Legend of John Brown: A Biography and History.

Citation:
Richard O. Boyer, The Legend of John Brown: A Biography and History (New York: Alfred A. Knoph, 1973), 127.
Body Summary:
More than a rural eccentric, although he was also that, this was the man in whom public concern mounted during the three years beginning in 1856 until his name was a curse or a prayer in the mouth of every American who could read or hear his fellows talk or had any degree of mental sentience. By 1859, John Brown was not only universally known but a national agony dividing the country and it is within this division that his memory, his reputation, and his historic role have always been judged.

Virtually all of the testimony concerning him - save that which precedes his fame and the controversy it aroused - lies within this great national division. In general that testimony, despite many variations, was passionately for John Brown when offered by those who believed that slavery was killing the nation and that any sacrifice or any violence was justified in destroying it. It was equally passionate but vehemently against him when uttered by those favoring slavery, or who felt that civil war was too high a price to pay for its destruction, or that black freedom was not quite worth white men's blood, or that violence against slaves did not excuse John Brown's violence against slaveholders. Judgment usually had more to do with political conviction and political necessity, with sectional sympathy and party affiliation, than it did with the character of John Brown.

"The Political Quadrille," 1860, political cartoon

Scanned by
Library of Congress
Notes
Cropped, sized, and prepared for use here by John Osborne, Dickinson College, March 15, 2008.
Image type
cartoon
Use in Day View?
No
Courtesy of
Library of Congress Prints and Photographs Division
Permission to use?
Public
Original caption
The political quadrille. Music by Dred Scott
Source citation
Political Cartoons Collection (U.S.), Library of Congress
Source note
LOC Call Number: PC/US - 1860.A000, no. 39

View of Washington, D.C., 1850

Scanned by
Library of Congress
Notes
Cropped, sized and prepared for use here by John Osborne, March 15, 2008.
Image type
engraving
Use in Day View?
No
Courtesy of
Library of Congress Prints and Photographs Division
Permission to use?
Public
Original caption
View of Washington
Source citation
Lithograph Collection, Library of Congress
Source note
Creator: Robert Pearsall Smith
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